FRAMING AND TERMINATION PROCESS

The works acquire a permanent protection and a matt finish without the inconvenience

of the crystals and their reflections.

The polymer varnishes used are protectors of ultraviolet light and humidity

making the colors stay in time and allowing the cleaning of the works

The paintings are preserved without the need for a frame (this being always optional)

 

PHASES OF THE PROCESS:

1- Hydration of paper and subsequent ironing

2- Gluing the linen fabric on the wood

3- Gluing the paper on the fabric and pressing for 12 hours

4- Masking and application of special gesso for paspartous

5- Painted paspartous and dried.

6- Application of a layer of archival fixative varnish with acetone

7- Application of 4 successive layers of UVLS polymer varnish

8- Application of a last layer of protective matte varnish

 

 © 2018 mgcruz

Manuel

 Garcia

de la

Cruz

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    •   ESCULTURAS

    •   TINTAS / SUMI-E

    •   ACUARELAS

    •   CERAMICA

    •   ESCULTURAS

    •   TINTAS / SUMI-E

    •   ACUARELAS

    •   CERAMICA

    •   ESCULTURAS

    •   TINTAS / SUMI-E

    •   ACUARELAS

    •   CERAMICA